Wednesday, 29 March 2017

Learning aim B- How to care for your Voice


Voiceover advice from Betsy-Jo Warren
I used this research and advice in order to look after my voice when performing my scene of Libretto in Little Shop of Horrors, and to also take care of it in order to sing. It was important for me to look after my voice for my solo song 'Somewhere that's green', as I have no one else to rely on whilst being on stage. I had to make sure I could support myself and project for the whole theatre to hear me.


I used This slide the most as I wanted to apply it when practicing for my monologue in Chicago. One of the biggest aspects of my monologue I had to concider was my accent and if I was going to use on or not. I also had to work on my projection and articulation so that the audience could clearly hear what I was saying.

Friday, 24 March 2017

Learning aim B- My podcast


The plot:
A musical in which a modern day Romeo and Juliet are involved in New York street gangs. On the harsh streets of the upper west side, two gangs, the American gang known as the Jets who have ownership of the land and the Sharks who are the Porto Ricans who have been placed on the Jets territory, battle for control of the turf. the situation becomes complicated when a gang member falls in love with a rival's sister.


In the Beginning of the year the American president launched the first nuclear submarine and was potentially going to war with the soviet union. It later became apparent that a war would break out when he sent ships out to Saudi Arabia. Westside story was relevant in the 1950's when it was released because many Mexicans were brought over in ships in order to work for the Americans as farmers or low paying jobs that the Americans didn't want, resulting in a huge amount of racism in America in that time. Racism wasn't just a problem for the Latina community though as in the 1950's many black men and women were still being segregated laws were deemed illegal. One of the most famous moments that communicated to the audience how much of a problem this had become was the song 'America' depicting that woman wanted to stay living in America because of having more freedom and rights but the men wanting to move back home because of the discrimination. An example of this is when Rosalia sings the line 'Ill give them a new washing machine' and the men sing back ' What will you have to keep clean' Along with other argumentative phrases telling the women that they would fit in more if they get rid of their accents.


West Side Story was the product of a three way collaboration from the practitioners Leonard Bernstein, Stephan Sondheim and Jerome Robbins. This resulted in a musical that included all three art forms, Drama, Dance and Music. Making West Sid Story one of the first musicals containing all three.


Jerome Wilson Rabinowitz was born in New York on October 11, 1918 and raised in Weehhawken, New Jersey. In the 1920's his father and uncle opened a 'corset company' which today along side his sister who also used to be a dancer, can be seen as the start of his love for performing arts. However he was deprived of a school education and with the connections he already had had within the industry from his father and sister made it possible for him to begin his career as a dancer in the experimental troupe of Gluck Sandor. Robbins then began collage studying chemistry at New York University (NYU) but dropped out after a year for financial reasons, and to pursue dance.


He studied at the New Dance League, learning ballet with Ella Daganova, Antony Tudor and Eugene Loring. He also studied Modern dance, Spanish dancing, Folk dance and dance composition, which allowed him to receive a wider knowledge of the different dance styles and techniques. His passion and work ethic enabled him to have the opportunity to choreograph for West side Story and many other musicals after. 


Leonard Bernstein composed the music for West Side Story. He  wrote three symphonies, two opera, five musicals and numerous other pieces. His music was mainly tonal. His style used to be known as jazzy. Bernstein often uses lots of Latin rhythms to relate to salsa and calypso. These all tend to be syncopated and off beat. This can be found in music for Westside Story as it fits with the Porto Rican cast members who have an attitude towards being in America. Stephan Sondheim was the lyricist for Westside Story. He was born March 22, 1930 and is an American composer and lyricist known for more than a half-century of contributions, to musical theatre. West Side Story was one of his most successful musicals ever and pathed the way for his future careers.


West Side Story is known for being one of the first musicals to integrate all Drama, Dance and Music. This also meant that it was essential to have performers who had the ability to do all three. This was because it was too expensive to higher professionals that only specialised in one art from, This added to the notion that this was the start of a new era of musicals as the whole process leading up to the Broadway reveal was completely different to what the practitioners themselves and the actors have ever been a part of.


All three art forms are just as important as each other, as dance can communicate the nonverbal cues that the characters are feeling in an organised and attractive way for an audience. It is important for dancers to be able to act and add characterisation into their dancing as it adds another level of believability.

West Side Story has now become one of the most well known musicals in the world and is still relevant today, as it still shares issues and themes with the modern day world. Some examples of this would be the Black Lives  Matter movement happening in America at the moment and the classic Romeo and Juliet that everyone loves and cherishes. This is truly a work of art and is defiantly something that if given the chance you should go to see because of its originality and forward thinking of integration of all three art forms.


 

Learning aim B- Personal Managment



Wednesday, 22 March 2017

Learning aim B- Little Shop of Horrors research

Genre of musical- Horror/Comedy rock musical
Composer- Alan Menkin
Writer (Original director)- Howard Ashman
Vocal arrangements/ Musical Direction- Robert Ashman
Orchestrations- Robby Merkin
First performed- July 27th 1982 in the Orpheum Theatre in New York

Cast


  • Seymour-Mid-twenties and perhaps balding a little. Insecure, Naive. However sweet and well-meaning.
  • Audrey- The bleached blonde, Seymours secret love. Not very educated, no self-worth.
  • Mr. Munshnik- Their boss. A failure of an east side florist. His accent is more middle class. Seldom smiles and often sweats.  
  • Orin-A talk, dark, handsome dentist with a black leather jacket and sadistic tendencies.  
  • The plant (Audrey 2)- An anthropomorphic cross between a Venus fly trap and an avocado. It has a huge, nasty looking pod which gains a shark like aspect when open and snapping food. The creature is played by a series of four increasing large puppets. (The first time we see the plant it is less than one foot tall, The last time we see it, it takes up the whole stage). Crystal, Ronnette and Chiffon- Three black female street urchins who function as participants in the action and a Greek chorus outside it. They’re young, hip, smart and the only ones in the whole cast who really know what’s going on.

Synopsis

Little Shop of Horrors is a horror comedy rock musical, by composer Alan Menken and writer Howard Ashman, about a hapless florist shop worker who raises a plant that feeds on human blood and flesh. The musical is based on the low-budget 1960 black comedy film The Little Shop of Horrors, directed by Roger Corman. The music, composed by Menken in the style of early 1960s rock and roll, doo-wop and early Motown, includes several well-known tunes, including the title song, "Skid Row (Downtown)", "Somewhere That's Green", and "Suddenly, Seymour

Musical numbers


  1. Prologue
  2. Skid Row (Downtown)
  3. Da-Doo
  4. Grow For Me
  5. Somewhere That's Green
  6. Some Fun Now
  7. Dentist!
  8. Feed Me (Git It)
  9. Suddenly, Seymour
  10. Suppertime
  11. The Meek Shall Inherit
  12. Mean Green Mother From Outer Space
  13. Don't Feed The Plant


 

Performers associated with the show

Original Off-Broadway cast
  • Seymour Krelborn – Lee Wilkof.
  • Audrey – Ellen Greene.
  • Mr. Mushnik – Hy Anzell.
  • Chiffon – Marlene Danielle (replaced after two weeks by Leilani Jones)
  • Crystal – Jennifer Leigh Warren.
  • Ronette – Sheila Kay Davis.
  • Audrey II (voice) – Ron Taylor.
  • Audrey II (manipulation) / Wino #1 – Martin P. Robinson
Film Cast
  • Rick Moranis as Seymour Krelborn
  • Ellen Greene as Audrey
  • Vincent Gardenia as Mr. Mushnik
  • Steve Martin as Orin Scrivello
  • Levi Stubbs as the voice of Audrey II
  • Tichina Arnold, Michelle Weeks, and Tisha Campbell as Crystal, Ronette, and Chiffon

Questions we might have about a chosen musical




Character/ Relationship Analysis